Has the era of traditional bands—and newer acts with lasting longevity—come to an end?
Throughout music history, bands have been a cultural cornerstone, sparking discussions and fostering a sense of camaraderie among their fan bases.
Whether it’s the boomer’s dismissive “that’s not a real band” or the nostalgic “I miss their old music” from early die-hard listeners, the popularity that bands and fans once thrived on has shifted toward sped-up versions and fleeting trends. And if we want to play the blame game, the reasons are layered—but both listeners and creators share joint custody of this problem child.
At a period in time, bands not only graced but dominated the music landscape from different variations of rock, such as classic rock icons such as AC/DC, Guns & Roses, and The Rolling Stones or the punk rock era of the Sex Pistols, Misfits, and Rancid or even the modern day unorthodox alternative pop rock generation with acts like Twenty-One Pilots, The 1975, Bleachers you know the list.
But as we look at the current state of music. It’s been relatively uncommon to see an emergence of new bands that become legacy acts, unlike the considerable influx or wave of releases that used to occur. In a nutshell, which bands of today would we consider legendary for those that started in the 2000s?
In a 2021 interview with Apple Music’s Zane Lowe, Maroon 5 frontman Adam Levine spoke on the state of bands, saying: “When the first Maroon 5 album came out, there were still other bands,” the frontman said. “I feel like there aren’t any bands anymore, you know? That’s the thing that makes me kind of sad, is that there were just bands. There’s no bands anymore, and I feel like they’re a dying breed.”
To his point, the longevity of newer bands rarely lasts more than 10 years, largely due to the challenges of the music industry and the difficulty of creating music within a group that may face creative differences.
As a result, many bands refrain from releasing new music that might not sell records or fear being labeled sellouts due to shifting trends. Instead, they often lean toward touring rather than releasing albums.
In today’s digital era, where physical albums and first-week sales carry little weight, touring, virality, and merchandise sales have become the primary sources of income.
Unfortunately, this lifestyle can be grueling and take a heavy toll on the mental health of both bands as collectives and their individual members. This constant pressure to tour and market themselves, rather than rely on revenue from potentially underperforming projects, often leads to hiatuses and breakups.
At the end of the day, the sound of the music lies in the hands of the artists themselves. For them, it’s less about meeting outside expectations and more about choosing what feels authentic to their creative process.
Having to choose between what’s right for them and what feels authentic to their creative process is what it comes down to. As for us listeners, it’s unfair to expect them to cater to our personal preferences and expectations.
If a band is happy with its sound, let them rock (pun intended) and take pride in the music they create. But the fans who stand by and appreciate that music also deserve the utmost credit—whether they connect with the familiar or embrace the experimental and new.
